The deflation, or flattening out, of values in Modern art does not necessarily indicate an ethical nihilism. Quite the contrary; in opening our eyes to the rejected elements of existence, art may lead us to a more complete and less artificial celebration of the world.

They lived off each other's hypocrisy, fuelling a worthless market of trash.

Brod was a brilliant intellectual with exceptional energy; a generous man willing to do battle for others; his attachment to Kafka was warm and disinterested. The only problem was his artistic orientation: a man of ideas, he knew nothing of the passion for form; his novels (he wrote twenty of them) are sadly conventional; and above all: he understood nothing at all about modern art.Why, despite all this, was Kafka so fond of him? What about you-do you stop being fond of your best friend because he has a compulsion to write bad verse?

The Cubists are entitled to the serious attention of all who find enjoyment in the colored puzzle pictures of the Sunday newspapers. Of course there is no reason for choosing the cube as a symbol, except that it is probably less fitted than any other mathematical expression for any but the most formal decorative art. There is no reason why people should not call themselves Cubists, or Octagonists, or Parallelopipedonists, or Knights of the Isosceles Triangle, or Brothers of the Cosine, if they so desire; as expressing anything serious and permanent, one term is as fatuous as another.

He was eager to tell me about his latest work, which consisted of him vomiting on a footpath, then cordoning it off. Each artwork lasted until the first ‘philistine’ thought to take the rope down.‘In that way, the philistine is drawn – whether he likes it or not – into my art. He becomes part of it…and the vomit part of him. Essentially, it is the cosmic vomit. We all spew it. It blurs the boundaries, subverts the liminal….

Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.

While working in California, I met William Valentiner and Edgar Richardson of the Detroit Institute of Arts. I mentioned a desire which I had to paint a series of murals about the industries of the United States, a series that would constitute a new kind of plastic poem, depicting in color and form the story of each industry and its division of labor. Dr. Valentiner was keenly interested, considering my idea a potential base for a new school of modern art in America, as related to the social structure of American life as the art of the Middle Ages had been related to medieval society.

Fifty grand for a paper bucket? Well it was all about context, you see.

Modern paintings are like women, you'll never enjoy them if you try to understand them.

Modern art has to be what is called ‘intense.’ it is not easy to define being intense; but, roughly speaking, it means saying only one thing at a time, and saying it wrong.